I WANT TO SEE (2026)
24 page publication exploring the strangeness of the internet and the way we interface with it. The object of the screen can provide us with images of death and torture, whether we choose to seek it out or not. Digital bodies interface with this new flesh, the visual horror of modern life is presented in an endless onslaught of footage.
Shirley Cards (2026)
16 page publication detailing the racist history of Kodak camera technology and its connections to legacies of inequality which have pervaded the photographic medium since its inception.
With text taken from:
99% Invisible podcast episode 456 titled ‘Shirley Cards’
Richard Dyer’s White (1997)
Meeting Ambrosia
(2025)
Meeting Ambrosia follows the story of a young girl who is driven to become an artist by her love for a film character. Inspired by my own upbringing in Singapore.
